EyeCue – Immediate Press Release

 Jerome Fitts

For those of you that are aware of the rich traditions that comes with Skopje, Macedonia, then you should be informed of the amazing band, Eye Cue. During the bands seven year history they have performed to over a half a million people as a main-stage act. The most notable of those festivals being the massive “Taksirat”. 

The bands notoriety due to heavy rotation on MTV (Adria) has resulted in awards such as  “Song Of The Year 2012” to “Band of the Year 2015” within the Balkan region.

The rock/pop/fusion/trance band that consist of  Bojan Trajkovski and  Marija Ivanovska are schedule to release their much anticipated European release “We Are Having Fun” on February 14th, 2018 via Crownn Records/Pivatell Distribution. To promote the release of the record the band will be undertaking a lengthy European tour throughout the month of February and March.  The album and tour will be highlighted by the hit single “Million Times”.

EyeCue accepting “Best Festival Song” Skopski Festival. 2015. Photo used by kind permission. 2017

Surprisingly the band has more catalog of music, videos and live shows than the average, wannabe western society, bands out there but has never crossed the border with their shows. The latter isn’t an excuse because of the lack of opportunity or interest but rather a choice based on the mastermind Bojan idea of the right time.

EyeCue Live. 2017. Photo used by kind permission. 2017

“The thing of it is, we noticed all of the bands in America and on the continent of Europe were rushing to release their music online. We didn’t believe in that. That isn’t to take away from some of the new main stream bands, but we wanted to corner our market first. Besides putting anything online is easy.  I also studied the market and just concentrated on the sound that was in our hearts and when the right opportunity came along we took it. We are excited to finally tour outside of the Balkan region while promoting our music.”- Bojan

EyeCue “We Are Having Fun!” Release Date: February 14th, 2018

Its seems as though the real bands that  have a live unit to perform their songs are out there. The likes, the followers and self propelled tags that so many are begging to have via the social media platforms to capture art these days are exposing themselves. Getting in the van or bus to play a show in any language and/or from any region can arguably be what music is about.

EyeCue are a band that has not used the excuse of being from a region that is seldom overlooked for talent. The end result is the talent within EyeCue that the public has enjoyed during the 300 plus shows thus far.  Keep your eye out for this band.

“We Are Having Fun” will be released on Crownn Records / Pivatell Distribution Feb. 14th, 2018

 Website:  https://www.eyecueofficial.com                                                                Facebook: https://www.facebook.com/eyecueband/  Twitter: https://twitter.com/EyeCueOfficial

“The Purple Stems” from The Silverbeets

By:   Jerome Fitts

In a world where we try to predict the next best thing or copy the remaining sounds of the strings that were left behind from those that created it, there are somethings or songs that remains original. You just have to look for it and we found it in Tasmania, Australia in The Silverbeets.

For starters in 2017, unfortunately we (the indie music community) have screwed it up with overly saturated athems that makes very little sense within the indie musical circuit. We can all agree that at the top of the music chain, which used to be considered the cream of the crop, there are more bird droppings than organic melodies. The search for bands that are genuine can be found in remote places or as one would think; the bottom of the world.  In this months music review, there is a certain Indie Pop band that can be found near the bottom of the earth that someday will rise to the cream of the top. – The Silverbeets.

The band, which is essentially the master mind of Farnz Cordeaux, was created in 2010 in Tasmania, Australia. Their current debut E.P. “The Purple Stems”  which initially generated a positive knee jerk reaction from their online music community has also garnered a list of enquirers and a respectable number of online engagements based on the unique writing style of their lyrics. Farnz seems to have made an effort to remind us where the melodic machine of music comes from.

The Silverbeets. 2017
Photo Used By Kind Permission. 2017

Farnz Corbeaux, explained it best;

 “The song, Does Not Equal Ten, is a song about love going wrong. It’s those relationships that you find yourself in that aren’t healthy but there’s something about the relationship that you can’t break, or you do but you go back. Perhaps it’s great sex, maybe it’s money, maybe it’s cos of beauty or power or whatever, but whatever it is everyone else can see that therelationship isn’t right except the two people in it.  Eventually you figure it out and split for good but until that point it can be painful for everyone. The chorus, well there’s this thing about being the perfect 10 right? So if we look at it that way, everything that these people do in this relationship is to try and make the relationship equal a perfect 10 but it never works and just never adds up, hence 2 + 6 + 4 Does not equal 10″

Music has forever been written in the form of stories since the beginning of time. It is refreshing to know that there are bands that are still writing about their experiences or journey through life. These days it is common to sample and cover songs  that has being quoted “writing from the heart” that someone else has written. It happens and no one can be blamed for covering a song that may or may not signify where they are in life or expressing what a particular song may mean to them. The difference is finding the gem from those classics which may be the reason why those artist picked up their instruments in the first place. The latter used to be known as inspirational classics.

The Silverbeets have managed to culminate lyrics and their experiences through their songs with bare facts. The talented musicians that make up the body of work in the sound can be heard as the production of the tunes should set a standard that is desperately needed in the new age indie music community.

The Silverbeets remarkable cover of Simon and Garfunkly – We Got A Groovy Thing Goin’ will cement the band in the coming months but should not over look the brilliance of the fine tunning of “The Purple Stems”.

FOLLOW THE BAND:

Website: http://thesilverbeets.com/  Facebook: https://www.facebook.com/TheSilverbeets/  Twitter: https://twitter.com/TheSilverbeets

*The Purple Stems can be purchased on all major digital platforms:

CD Baby: https://store.cdbaby.com/cd/thesilverbeets2

I-Tunes: https://itunes.apple.com/us/album/purple-stems-ep/id1082293952 

“A Taste Of Heaven”- Radio Drive

Radio Drive – A Taste Of Heaven from Black Winter on Vimeo.

By:   Jerome Fitts

We all assume that when we leave this remarkable planet we are going to heaven but until that day comes we all find our peace in things that are apart of our journey. As music lovers we sometimes find our “Taste Of Heaven” within our favorite songs. Kevin Gullickson, of Radio Drive, found that taste of heaven when he laid eyes on the love of his life years ago and eventually put the words and melodies in the bands single “A Taste Of Heaven” . From the opening chords of the song one would have to be frozen on the other side of the moon to not feel the passion behind his joy. The song displays a culmination of the bands early influences (most notably U2) as well as fill the void of where some of those bands may have left off. 

The single which was originally released in 2014, was produced by reknown producer Chris Garcia (Britney Spears, Christina Aguilera, Celion Dion), will be re-released via resurging original indie label Crownn Records/Crownn Sounds on July 4th, 2017. 

Just like most worthy things that exist in this world, its amazing how we sometimes forget that good music takes time. The re-release of “A Taste Of Heaven” could also mean that time caught up with Kevin. The song was after all about the love of his life and he has been a taken man for sometime which could only mean that the previous release in 2014 was really a taste of heaven from a well perserved bottle of music wine. 

“We knew Kevin and crew had released the record a few years ago but for whatever reason the promotion behind the record wasn’t complete. Amazingly enough, there is still alot of life in the single based on the world-wide support and reception the song keeps garnering. We are lucky to be apart of Kevin’s progress in this now fickle industry and estatic to be apart of the radio friendly single.”- James Lane-Crownn Sounds- 2017

To support Mr. Lanes statement, the single is backed by melodies that suits all genres and it wouldn’t be a major surprise if there are territorial DJ’s that are remixing the song to suit their perspective live venues. The single as sweet as it sounds, may be considered a subliminal attack on todays selfie singer/songwriters who should get a thumb out and concentrate on melodies first prior to proclaiming to write a song.  

The timeless lyrics within the single; “Hair of brown and eyes of blue, the first time I laid eyes on you, it was a taste of heaven”, may read as a corny verse, but it clearly certifies Kevins as a brand ambassador for quality love songs.  

The bold time and reputation management investment between both parties (Crownn and Radio Drive), to re-release a single in 2017  shows the confidence that both parties have in good music that still sells. A Taste Of Heaven will be available on all  formats (CD and Vinyl) as of July 4th, 2017. Radio Drive are expected to promote the single by a lengthy tour of Europe starting in September 2017.

Radio Drive One Sheet Feb 2017

Radio Drive Web Presence: 
http://www.radio-drive.com
http://www.facebook.com/radiodrive
http://www.twitter.com/radiodrivemusic
http://www.reverbnation.com/radiodrive

Dabling with the Andrew Mullen Experience

By: Jerome Fitts

Remember the days when you were a passenger of a vehicle and you heard a song that you couldn’t get out of your head? Even better, have you ever sat at a bus terminal or have been eagerly awaiting for something in a customer service lounge then an amazing song came on and you asked; “Who was that and what is the name of that song?”

These days we all ask ourselves where in the world could we find a song that we can remember the chorous to that doesn’t have the words “nigger grab your dick or momma and poppa grab your balls etc” complimented with a dry loop in it. The most embarrassing part is, more so than not those songs are always in autotune disguising horrible lyrics and vocals. Sad but true in 2017, its gotten to that level of music based on the lack of creativity. Instant gratification at its finest! Is it safe to say we need a cure?

Well..here is Andrew Mullen!

Power of Choice. Andrew Mullen.

Power of Choice. Andrew Mullen. Copyright Streaming Records. 2017

Somewhere just north of Melbourne, Australia and to be more specific Yackandandah, Australia, Andrew Mullen delivers the first track “The Devils Innocent” (Crownn Records/Streaming Records) on March 27th, 2017, off a banger debut album titled “Intoxic”.

The song title itself may shock middle America but once you listen to the track or dare to read the lyrics the explanation is quite clear.  In a world where everyone wants to be offended to be awarded a selfie trophy of likes and shares, this young man have mastered his craft with  generic riffs, a gutair solo and lyrics to remind us that there are original artist out there.

The Devil Is Innocent track, will make you question the now popular lets be whores and updated slave tracks that are dominating our radio frequencies. Does this make the devil innocent when we have allowed music to be accepted if you can protray yourself as a whore or pimp in the name of your family.

Judge for yourself. Responses are welcome so go on and contact the man himself downunder..

Website: http://www.mullen.com.au/

Facebook: https://www.facebook.com/mullenofficial/ 

Twitter: https://twitter.com/MullenOfficial

“Selfie Music” – Smokin’ Mirrors and Delusional Self Entitlements

“Selfie Music”

Smokin’ Mirrors and Delusional Self Entitlements

   Jerome Fitts

Here we are some two years later after the “Who Do Think They Are?” post and it seems that although the reaction was positive and there has been over 97K followers that read the article, the truth is, the submissions from DIY artist to the public and within the music industry has gotten worse.

Sure there are the renditions of tapes, CD’s and Vinyl along with the current trend of streaming that keeps the music industry machine going and this is great. However, the approach and the delivery of quality music is still lost in the mix bowl of talent or should we say self entitled talent.

We can blame the discovery of taking pictures in mirrors (selfies) as a perfect example of people who are looking at themselves in mirrors based on what their own delusions are. The facts are the same within the current state of music delivery and some of these artist are delusional. There are some amazing music out there and good music still sells while a great song will live forever. The 7.5 billion census question is:

Where is it?”

The hilarious "like" my page adverts. Used by kind permission.2016

The hilarious “like” my page adverts.
Used by kind permission.2016

These days you can’t create a social media page or troll your own social media site, most notably Twitter or Facebook, without those selfie musicians demanding you to check out their music or video. But one has to wonder or ask several questions and among those important questions its always: “Whats next? Or even better “Why?” At some point most of the new age artist or selfie artist are demanding you check out their material as if its going to bring them fame. In this day and age where our beloved YouTube has replaced television or  music video channels, anyone can buy impressions or views for the videos they upload. If there are a million and one likes or views are we suppose to follow a trend based on the number of views or does this mean that because there are a certain number of views then its quality or like-able material. 

First and foremost, if its already out there then someone will “check it out” even if its yourself. Yes that is right, you can pay someone to “get likes” after posting some of the music then celebrate as if you are a star. Imagine someone desperate enough to pay for likes or followers that leave no comments or invite you to play live in their city. Maybe there should be an additional option for the public to choose from based on the statistics that are also displayed such as geographical and demographic analytical views. Then again this would shatter the glass mirror so maybe its better to leave it smoking to fulfill those delusions. Need we say more?

According to Webster Dictionary: The definition of desperate is: (of a person) having a great need or desire for something. In reference to this piece its about demanding likes or followers. Hilarious or not it is without question a cruel reality.

Kiss Army advert. Getty Images. 2016

Kiss Army advert. Getty Images. 2016

Remember the days when we would sing in the mirror and pose as if you were Paul Stanley from KISS or Madonna then tell your friends or family to come and see. Well its the same isn’t it? In modern times the translation of “check this out” would mean “hey look at me, I think I am sexy or I can sing so follow me!” Funny right. Has anyone wrote an honest and constructive comment on those posts? Was your comment deleted and your profile blocked only for the submitter of the post to destroy you in a response without you being in a position to defend your initial comment. The results is smoking mirrors or selfie music that makes up the body of smoking mirrors. It makes you wonder what independent music is these days if that is the case. One can also wonder why these artist are not asking the public what they think and accepting the response. It seems this would be the logical way of not only building a brand through genuine followers but its also a way to expand their sound. Are these artist are afraid to find out the truth? Is this a new genre being created within this selfish industry? Here we go: Cowards of Selfie Music.

Where did being creative and different go to?

Over the years there has been some exceptions to the growing trend in remarkable artist such as Lindsey Stirling, but we all have to agree that her formula, style and quality of material is above the norm. The result has seen the Los Angeles starlet sell out theaters and arenas around the world yet you wouldn’t find her playing live at an in-house popular music awards. Maybe the judges or panel of such awards are mechanical or machines as they are year after year selecting the same shite music such as Drake, Rihanna and some other copycat self proclaimed pimp or whore. The moral police of music have unfortunately succumbed to supporting the new genre of clown music. Charlie Chaplin and crew have to be in heaven going f**ks sake!

Here we go, the definition of courage in the Webster Dictionary is: Strength in the face of pain or grief. Bravery

In this case its about the artist pouring their heart and soul into their sound by mastering their craft to express themselves. The courageous part of it is, they are leaving it up to the recipient (listener) to chose for themselves.

Does it work? Sure these artist are putting their dreams into motion without feeling the public owes them something. They promote themselves just as much as the professionals does but the successful ones never go rogue. They sweat and win together and those standards are based on a delegated process within each sector of working behind the music. The formula is quite simple, everyone is on the same page.There is music out there that genuine labels and distributors believe in such as Proper Music Distribution that works with large and small booking agencies. The thing of it is that those reputable entities working relationship is based on the belief in the same artist genuine promotion.


For those that are reading this lengthy piece, try it out. When it comes to approaching PR companies, due your due diligence and ask what is the finish line. Have the courage to look past the name dropping some may use to secure your check but look deep into their strategy in regards to your music.

The positive side to hiring professionals, if you take yourself serious enough, you can learn from their mistakes as well as get better along the way.

For the artist that are reading this and will continue to partake in the DIY system, take a deep breath and don’t add to much water into the instant gratification process of your music. You will receive exactly what you put into your music and if you don’t require professionals to handle your music then the reality is you don’t need the public. So.. What is your objective? – Selfie Music. Have fun in your bedroom or kitchen performing to the smoking mirrors.

In closing, good food is like good music, we just eat it and it becomes our favorite food and its what you prefer. When the package or label of the food or music is presented right it looks and smells good and more than likely it will taste good. But if the package and label of the food or music looks cheap and smell like shite, then it probably is!

Enjoy..

Jerome Beau Fitts

The Father of Rock and Roll- Johnnie Johnson

By Jerome Fitts

This week we are celebrating the life of The Father of Rock and Roll. The recognition of Johnnie Johnson during Black History Month, should be appreciated and applauded by everyone.

Johnny was born on June 8, 1924 in Fairmont, Virginia but for the majority of his celebrated life he resided with wife Francis, in St. Louis, Missouri.

Johnnie Be Good:

For nearly 30 years, Johnnie was the keyboardist for legendary guitar player Chuck Berry. However the song that is considered the original rock anthem “Johnny Be Good” was written by Chuck Berry as a tribute to Johnnie.

Johnnie Johnson and Chuck Berry. Photo used by kind permission. Getty Images. 2015

Johnnie Johnson and Chuck Berry.
Photo used by kind permission. Getty Images. 2015

The song has been covered by thousands of bands from around the world as well as being highlighted in the movie Back To The Future. The musicians that have covered the song has ranged from modern day pop singers to heavy metal legendaries such as Judas Priest.

Bayersheroff Hotel, Munich, Germany 2003. left to right- J.Fitts, Johniie Johnson, Roy, Kim Kelly

Bayersheroff Hotel, Munich, Germany 2003.
left to right- J.Fitts, Johniie Johnson, Roy, Kim Kelly

In 2003, after a series of shows in Munich, Germany, I asked Mr. Johnson to explain Johnnie Be Good.

“I had served in the second World War and had returned to Detroit then on to St. Louis, which is where I met Chuck. I hired him one night because I was short a musician and that’s when our (Chuck and Johnnie) history started.”

“Chuck and I worked on other material together, but Johnny B Goode was a tribute to myself. Chuck wrote that one about me.”- Johnnie said.

Legendary Status:

Mr. Johnson, fellow Blues and Rock originators, from Keith Richard (Rolling Stones), Eric Clapton to George Harrison (Beatles), have gone on record to acknowledge that their inspirations came from Johnnie.

To question whether or not if Johnnie received his full recognition from the music world, would be irresponsible from the music industry.

However in 2001, Johnny was inducted into The Rock and Roll Hall of Fame.

There is could never be enough recognition or accolades for the song that changed the music industry-“Johnny Be Good”. The legitimate argument would have to be directed at what has transpired within the music industry since.

Adversity Turned To Triumph:

Johnnie who faced adversity for several years during the 1970s due to neglect, recognition and LACK OF ROYALTIES from previous work, resurged in 1986. It wasn’t until Keith Richards amongst many other notable Rock Hall of Famers, guided their hero back into the main stage. Ironically enough that resurrection from retirement was in the Chuck Berry concert film Hail! Hail! Rock ‘n’ Roll of that year.

Johnnie playing live with Keith Richards

Johnnie playing live with Keith Richards

Throughout the 1990s and early millennium, Johnnie enjoyed a successful series of solo records as well as constantly being in demand as a live act.

Johnnie Johnson died on April 13, 2005, a mere eight days after performing at the NCAA Final Four in St. Louis, Missouri. The Father of Rock and Roll, was 80 years old.

Johnnie Johnson we salute you.

Discography:

1987: Blue Hand Johnnie.

1991: Johnnie B. Bad (Warner) with Eric Clapton, Keith Richards, and Bernard Fowler
1991: Rockin’ Eighty-Eights (Modern Blues recordings) with Jimmie Vaughan and Clayton Love
1993: Blue Hand Johnnie (Evidence Music) with Oliver Sain
1993: That’ll Work (Elektra) with The Kentucky Headhunters and Jimmy Hall
1995: Johnnie Be Back (MusicMasters) with Buddy Guy, Al Kooper, John Sebastian and Max Weinberg
1997: Johnnie B. Live (Father of Rock and Roll Music) with Jimmy Vivino and Al Kooper
1999: Father of Rock and Roll (Father of Rock and Roll Music) – Accompanying CD with the book Father of Rock and Roll: The Story of Johnnie B. Goode Johnson, featuring all new recordings of Johnson and Berry songs.
2005: Johnnie Be Eighty And Still Bad! (Cousin Moe Music) with Jeff Alexander, Rich McDonough (guitar), Larry Thurston, Gus Thornton, and Joe Pastor (drums).

¨Who Do They Think They Are?”

By: JFitts

Dec. 25th, 2014

 

In late June 2014 someone told me that music shake the chemicals in our body and stimulates our soul. I couldn’t believe after nearly 17 years of Crownn Records, I was acknowledging the truth.

So what’s the problem with the horible music that is being released today?

“Who do they think they are? “- with the (JustAdd Water/Do It Yourself) systems of delivery. Does the world owe you something because you can upload to Itunes? Does that make the music better? Where is the efforts of PR, artist/band infrastructure, and quality of sound.

In this instant gratification world of ours, why is it that everything is put into categories or a genre? In closing out the year of 2014,  we have rock, hip-hop, dance and traditional. Then there is  horrific rock, hip-hop and quadrible copied dance, trap, EDM and no such thing as new traditional music.

January 2004- Cargo Records distribution deal.

January 2004- Cargo Records distribution deal.

The majority of those songs are done DIY style and released within the same two months of recording with zero structure or quality assured plans. The nontrust factor of a loyal team goes within the DIY. Who in the world world consider recording a song in one month and releasing it the next month? ahhh… PR? Process of delivery?

Its a dead give away that those artists music will be a Halloween costume if a single, album or video is being considered “dropped on such and such date” or released before there is a structured 4 month planner. Can we all repeat the words “brand building”?

Here is a bigger joke, those artist or bands then go online when they are DIY posting on the social media platforms and announce a live date and expect people to come. That insulting process, to the public and real industry likes, includes begging others for more shows in bars, clubs or other non MRPS (Mechanical Royalty Protection Society) venues. Then expect people to show up based on bathroom selfies and Android PR.

Hold your stomach because the hook and sinker is; they wont play live unless there is a gurantee financially from a venue, eventhough there is a DIY structure. As well as noone knowing who they are or have heard their music.  Hilarious right? Well they call themselves artist. Didnt artist take the risk of capturing an audience then stick their hands out for money based on a great series of songs? Hmm.. and now??“Who do they think they are?”

Then again its DIY and self entitlement and a free world that is surrounded by satellites to make releasing a song accessible for everyone. What would happen if we took a worldwide vote on uploading horrible music a crime?

With the exception of the bands from  Ireland and the UK, everyone else is copying the American sound. For the love of God, what is that?“WHO DO THEY THINK THEY ARE?”

The DIY, of the music business is more contagious than Ebola, except everyone is into it and spreading the horrible disease. Sure its a different world and the combination of creating and delivering good music is different, but there is nothing like the conventional method of creating a good sound, having the balls to play it live without “handout” excuses and seeing what happens. Those days when people saluted courage over stature seems like the smallest white golf ball on the moon. (You simply cant find it).

I remember in 2004, when Crownn signed it’s first major distribution deal and how excited we were. We were putting out tapes, vinlys and cd’s. For some reason we kept hearing in Berlin “Yeah but, the digital age is going to eat you up!”.

My first thought was why? It’s just another form of communication, so why not embrace it? I mean we still had to put out good music and  support our bands playing live, which meant radio plugging, PR, poster campaigns and a well defined guerilla marketing plan. Above all good music still sells know matter what format its delivered in. To me it should be easier to excercise the aforementioned than before.

“Master your craft first!”

Was 2004, the last year of a good song? No offense to Dave Grohl and the Foo Fighters, without whom there wouldnt be any music worth listening to. Ok, Ok that was unfair, there are tons of great bands and music out there. However, the ratio of 3 to 1 in 2004 compared to the 100,000 to 1 in 2014 doesnt consistently shake the chemicals in us anymore.

Ensimi Tower Records Dublin 2005

Lets be honest here, a band competition would be the most boring event on the planet now. Anyone disagree? Why do we listen to music from 15 to 45 years ago to shake the chemicals in our bodies? Get it now?

Who does the “New Power Generation/DIY” music shakers think they are? Why listen to so called older music and never follow the blue print of how to get their music out there?

Its ironic that the term Master Your Craft can be considered an insult? For those who are offended then perhaps they are guilty.

Here is a possible solution from a nobody (me) who has been in the music industy would like to suggest;

  1. Try having a 45 minute listening session starting with The Wildhearts single “Its Only Love” (3 minutes), then take 45 seconds of the chorus of the T.I./ Justin Timberlake song “Dead and Gone”.
  2. Take a sip of water and put on “Estranged” by Guns and Roses (only for 3 minutes), and cut that with “You Drop The Bomb On Me” by the Gap Band. It may be wise to have a seat now.
  3. While sitting down to catch your breath or relax from the chemicals in your body from exploding, put on Elton John “Good Bye Yellow Brick Road”, then play any song by Public Enemy! ** It should be noted that Chuck D and company were decades ahead of themselves.
  4. Just when you think it cant get any better put on the single “Sing” by Travis. Then repeat the process again.

What do you think? Did you notice the difference in the creativity, diversity and the artist(s) “Mastering Their Craft?”

My point being is, all of those artist are from different backgrounds, cultures and influences yet  the chemicals in our body stimulates our soul with their craft that was mastered. We know who they are!

For the life of my imaginary gold fish, I cant understand why the DIY (artist, entertainers, uncredible agents and managers) cant supply one sales statement or tour talk settlement excel or a PR receipt. The aforementioned at the very least is the proof of efforts and sometimes the efforts doesnt represent the results although it does show they have attempted to try.

Without these simple components and NOT mastering their craft—

“Who Do They Think They Are?”

It would be amazing to hear what Prince , who is still with us, think of todays current music process. I can only imagine what the Father of Rock and Roll “Johnnie Johnson” is thinking from above.

“We know who they are!”

Backstage at "The Father of Rock and Roll" show in Munich, Germany 2004

Backstage at “The Father of Rock and Roll” Johnnie Johnson show in Munich, Germany 2003

In closing “Who do they think they are” to copy all of the remarkable chemical shakers from the past then mix, remix their music only to not follow the rules. Where is the honor amongst the theives? X-Factor, has to be the biggest contributor to those tears in heaven.. Sorry Mr. Cowell but you invented a new weapon to destroy us all. I am sure the same guy who invented the gun meant well, but look at how that device is being used in 2014.

JFitts