If director Radheya Jegatheva, was to inspire potential viewers within this short documentary, then its safe to say those vital points will exceed viewerships expectations. This is an excellent short.
The cinematography, the sound, music composition and the main character (Richard Pace) story warrants a four out of five stars review. The filmmakers did a remarkable job in convincing Richard to share his story.
Imagine recanting a disability you have had for 60 years while showing the world how to continue to live otherwise. More so than not, people lives are celebrated during a eulogy or at a retirement ceremony. Watch the film, his colleagues and family would laugh at the premature notion.
Congrats Mr Pacing you have done that, we are smiling. In closing hats off to the director for capturing a remarkable those examples on film.
Not just your average travelling run and shoot documentary!
It took Director Marco Huertas, three years to picture puzzle through film the life and death variations in six countries. (Cambodia, Germany, India, Macao, Nepal, Thailand). Why? We encourage you to ask him.
From our standpoint we were wondering exactly that? Throughout the near 15 minute documentary we waited patiently but what kept our interest was the remarkable cinematography and sound that complimented his objective. Its good!
One question for Director George Wada… where did this idea come from? The video is witty, entertaining and most definitely support traditional methods of creativity. The componing parts may come across as a form of “let us put something together to keep the stick in the fire of the industry“, but the quality overlaps that theory. It is a musical adventure.
Clap! Clap! David Latreille for putting a twist, flavor and excitement in a video that encompasses the remarkable music by Asten Harris yes A.K.A Apex Martin of Kayne West fame. Undoubtedly the song is killer but the rapid photos of actress Emilie Dumas should be displayed for patrons entering a nightclub anywhere. The thing of it is, this 2014 genuine piece of digital storytelling, which was submitted to WJ via The Cacique Film Awards , is listed as a music short film. Its the work of a genius!
“A two-minute short film about a young woman experiencing music through a psychotic phase.”
What Mr. Latreille did in 2014 was redefined style in a music video. Were the standards set by the brilliant producer/director followed since its original release? If we are honest with one another the answer is; no!
This a perfect example of why MTVintroduced music videos that were created decades ago. Is it a song that should be on full blast driving in a quiet neighborhood? No.. Its too special.. This two minutes and eleven seconds tune could be put on while working out in the gym, dressing up to impress a his or hers date or going through that psycho phase that we all endure.
In closing this gem was created ahead of our time.
Robyn Whitmore of Sierra Lane Productionshas attempted to bring issues in a Louisiana community that was once considered taboo yet remains in certain societies today. Independent films are normally funny, creative and sometimes thought provocative while being created on a low budget. Ms. Whitmore seems to have covered the norm while extending boundaries of various subject matters.
The result or transparent review of the noted project is: “Sometimes the results doesn’t resembles the efforts”. Its safe to say that Ms. Whitmore has more in-store in the now “DIY” realm of film-making. The limitations and/or congenial cooperation between the cast members of this indie film doesn’t seem to have been an handicap. However the scattered concept of the film does leave one to ponder- “What is the statement or concept behind the stories? There seems to be more than one”
“A blended family has to face some harsh realities about their father and siblings while preparing for an annual ball.”– Robyn Whitmore
A loyal lover of film will see the subliminal talent of Ms. Whitmore. It is recommendation that, you the reader, not only watch the film in its entirety but also follow the future projects of Sierra Lane Productions. The best is yet to come.
If you are lucky enough to catch Bob Moses, the Canadian electro duo, then be prepared. Their latest album “Battle Lines” is a potent reminder of the power of the combination of hard rhythm, electronic experimentation, and hard-hitting lyrics.
Just to be clear here: pound for pound and track for track, this record is a gem. Thirty seconds into the lead single, “Back Down”, it’s clear that we’re in the safe hands of a duo who understand exactly how to manipulate their audience.
The single reminds us all of why we leave our inhibitions at the door truly exciting music like this, as it briefly transports us from our mundane present to the promise of a better future. It’s microcosm of the appeal of the Battle Lines as a whole: this is versatile, dynamic party music, made by masters of their craft.
Battle Lines is available to pre-order now on CD and limited edition colored double LP from Dominoand digital download. All pre-orders from Domino receive an instant download of “Back Down” and “Heaven Only Knows.”
The band will tour North America this fall, with dates kicking off September 21 in Sacramento and further stops in SanFrancisco, Portland, Seattle, Chicago, Boston, Philadelphia, New York, Austin, LosAngeles and beyond. Tickets are on sale now. Visit bobmosesmusic.comfor more information.
Bob Moses Live
Sept 15 || Ensenada, Mexico || Guadalupe Valley Wine, Food & Music Festival
Sept 21 || Sacramento, CA || Ace Of Spades
Sept 22 || Oakland, CA || Fox Theater
Sept 24 || Portland, OR || Wonder Ballroom
Sept 25 || Vancouver, BC || Commodore Ballroom
Sept 26 || Seattle, WA || Neptune Theater
Sept 27 || Boise, ID || Knitting Factory
Sept 28 || Salt Lake City, UT || The Metro
Sept 29 || Denver, CO || Gothic Theater
Sept 30 || San Diego, CA || CRSSD Festival
Oct 2 || Omaha, NE || The Waiting Room
Oct 3 || Minneapolis, MN || Varsity Theater
Oct 4 || Chicago, IL || Thalia Hall
Oct 5 || Las Vegas, NV || Encore Beach Club
Oct 6 || Toronto, ON || Danforth Music Hall
Oct 7 || Montreal, QC || Corona Theatre
Oct 9 || Boston, MA || Paradise
Oct 10 || Philadelphia, PA || Union Transfer
Oct 11 || Washington, D.C. || 9:30 Club
Oct 12 || Brooklyn, NY || Brooklyn Steel
Oct 15 || Carrboro, NC || Cat’s Cradle
Oct 16 || Atlanta, GA || Terminal West
Oct 17 || New Orleans, LA || Republic
Oct 18 || Houston, TX || White Oak Music Hall
Oct 19 || Austin, TX || Emo’s
Oct 20 || Dallas, TX || Trees
Oct 23 || El Paso, TX || Lowbrow Palace
Oct 24 || Sante Fe, NM || Meow Wolf
Oct 25 || Phoenix, AZ || The Van Buren
Nov 2 || Mexico City, Mexico || Auditorio Blackberry
Nov 16 || Los Angeles, CA || The Palladium
Here we are some two years later after the “Who Do Think They Are?” post and it seems that although the reaction was positive and there has been over 97K followers that read the article, the truth is, the submissions from DIY artist to the public and within the music industry has gotten worse.
Sure there are the renditions of tapes, CD’s and Vinyl along with the current trend of streaming that keeps the music industry machine going and this is great. However, the approach and the delivery of quality music is still lost in the mix bowl of talent or should we say self entitled talent.
We can blame the discovery of taking pictures in mirrors (selfies) as a perfect example of people who are looking at themselves in mirrors based on what their own delusions are. The facts are the same within the current state of music delivery and some of these artist are delusional. There are some amazing music out there and good music still sells while a great song will live forever. The 7.5 billion census question is:
“Where is it?”
These days you can’t create a social media page or troll your own social media site, most notably Twitter or Facebook, without those selfie musicians demanding you to check out their music or video. But one has to wonder or ask several questions and among those important questions its always: “Whats next? Or even better “Why?” At some point most of the new age artist or selfie artist are demanding you check out their material as if its going to bring them fame. In this day and age where our beloved YouTube has replaced television or music video channels, anyone can buy impressions or views for the videos they upload. If there are a million and one likes or views are we suppose to follow a trend based on the number of views or does this mean that because there are a certain number of views then its quality or like-able material.
First and foremost, if its already out there then someone will “check it out” even if its yourself. Yes that is right, you can pay someone to “get likes” after posting some of the music then celebrate as if you are a star. Imagine someone desperate enough to pay for likes or followers that leave no comments or invite you to play live in their city. Maybe there should be an additional option for the public to choose from based on the statistics that are also displayed such as geographical and demographic analytical views. Then again this would shatter the glass mirror so maybe its better to leave it smoking to fulfill those delusions. Need we say more?
According to Webster Dictionary: The definition of desperate is: (of a person) having a great need or desire for something.In reference to this piece its about demanding likes or followers. Hilarious or not it is without question a cruel reality.
Remember the days when we would sing in the mirror and pose as if you were Paul Stanley from KISS or Madonna then tell your friends or family to come and see. Well its the same isn’t it? In modern times the translation of “check this out” would mean “hey look at me, I think I am sexy or I can sing so follow me!” Funny right. Has anyone wrote an honest and constructive comment on those posts? Was your comment deleted and your profile blocked only for the submitter of the post to destroy you in a response without you being in a position to defend your initial comment. The results is smoking mirrors or selfie music that makes up the body of smoking mirrors. It makes you wonder what independent music is these days if that is the case. One can also wonder why these artist are not asking the public what they think and accepting the response. It seems this would be the logical way of not only building a brand through genuine followers but its also a way to expand their sound. Are these artist are afraid to find out the truth? Is this a new genre being created within this selfish industry? Here we go: Cowards of Selfie Music.
Where did being creative and different go to?
Over the years there has been some exceptions to the growing trend in remarkable artist such as Lindsey Stirling, but we all have to agree that her formula, style and quality of material is above the norm. The result has seen the Los Angeles starlet sell out theaters and arenas around the world yet you wouldn’t find her playing live at an in-house popular music awards. Maybe the judges or panel of such awards are mechanical or machines as they are year after year selecting the same shite music such as Drake, Rihanna and some other copycat self proclaimed pimp or whore. The moral police of music have unfortunately succumbed to supporting the new genre of clown music. Charlie Chaplin and crew have to be in heaven going f**ks sake!
Here we go, the definition of courage in the Webster Dictionary is: Strength in the face of pain or grief. Bravery
In this case its about the artist pouring their heart and soul into their sound by mastering their craft to express themselves. The courageous part of it is, they are leaving it up to the recipient (listener) to chose for themselves.
Does it work? Sure these artist are putting their dreams into motion without feeling the public owes them something. They promote themselves just as much as the professionals does but the successful ones never go rogue. They sweat and win together and those standards are based on a delegated process within each sector of working behind the music. The formula is quite simple, everyone is on the same page.There is music out there that genuine labels and distributors believe in such as Proper Music Distribution that works with large and small booking agencies. The thing of it is that those reputable entities working relationship is based on the belief in the same artist genuine promotion.
For those that are reading this lengthy piece, try it out. When it comes to approaching PR companies, due your due diligence and ask what is the finish line. Have the courage to look past the name dropping some may use to secure your check but look deep into their strategy in regards to your music.
The positive side to hiring professionals, if you take yourself serious enough, you can learn from their mistakes as well as get better along the way.
For the artist that are reading this and will continue to partake in the DIY system, take a deep breath and don’t add to much water into the instant gratification process of your music. You will receive exactly what you put into your music and if you don’t require professionals to handle your music then the reality is you don’t need the public. So.. What is your objective? – Selfie Music. Have fun in your bedroom or kitchen performing to the smoking mirrors.
In closing, good food is like good music, we just eat it and it becomes our favorite food and its what you prefer. When the package or label of the food or music is presented right it looks and smells good and more than likely it will taste good. But if the package and label of the food or music looks cheap and smell like shite, then it probably is!
The world-wide Film Festival favorite THE EVE by director Luca Machnich is a thriller. Imagine having a family tragedy and meeting up with Santa Claus. An innocent imagination while longing to escape makes up a must see summer short horror film. As of May 2016, the film has won an astonishing 78 film festival awards.
Simon is an eight-year-old boy who seems to have everything from life. He’s a handsome child, he’s rich yet unhappy. He senses that there’s something wrong with his life and this leads him to wander off thanks to his fervid imagination. His greatest wish is to leave the materialistic world behind since he isn’t fond of it. That’s why the only present he wants for Christmas is for Santa Claus to take him away to live in his fairyland toy factory. At the same time, a secret that his family has been keeping for a long time suddenly comes to the surface and it is feared that the worst might happen soon. The expectation for the stroke of midnight on the night before Christmas is transformed into reality for everyone on the eve of something truly different. Something terrible that might happen.
How can our emotional scars and grief reflect the view we see
around us when we go through a break-up? Stitches explores the
fragile passage of enduring pains and the art of letting go through
the time of digging up and repeating memories.
Director : Eunji Kim
Director of Photography : Elly Nakajima
Editor : Paula Cuadrado
composer : Barbara De Biasi
Sound designer : Alejandro Cid
Camera Assistant : George Symonds
Make up/Hair stylist : Cassie George