If you are sitting there in search of a film that will entertain the norm, then “Sons Of No One” suits. From the beginning, Director Hans Vannetelbosch and his production team did a remarkable job of collecting the reality onto film. Kudos to the cinematography and set designer on this short film. The only flaw in this film is it’s simply too short.
“You would want to see the ending of this film as well as put on a pot of coffee afterwards for an in-house discussion.”
The film itself puts the viewer into the setting of a conversation at a dinner table, a family gathering and a deep conversation at the pub. Vannetelbosch managed to captivate the unfairness of government social systems as well as highlight those who strive to uphold their morality cup within that system.
“An uplifting documentary celebrating the lives of love ones who has perished by a group of friends. Never mind the technical part of the film– This is a must see and would be considered an example set for us all. “
– Philip A. Mc Carthy
Independent films are created to cater to a small number of people that had intentions to entertain their audience. “The Road To Reminiscence” presented by Redonkulous Entertainment are transparent with their objectives.
This film is about the bond, tenure and unity of family amongst a group of friends that celebrate the loss of loved ones within a community. The documentary is their continued eulogy from each family member complimented by musical compositions by which each nine-member team member of Redonkulous felt towards their family member.
The idea of turning their united grief into a one hour and forty-four-minute documentary is not only remarkable but also an eternal display of the inspirations left behind from the perished souls.
Kevin The Co-Founder Martin, Tanya “The First Lady” Fields, and Efrain “The Lead Artist” Arana III. Also featured in the cast are Atlantic County Residents, Rapper, Shawn Rock; Kyle “40” Lee, Lakeith “Ace King, Walter “Wise” Charleston, Josh “The Assistant Queen, Shavonna Moe Morris, Virginia “Aunt Gin” Queen, and Victor “Da Villain” Jones.
Director Bill Slovick, film Below A Darkwood, displays the mirrored experiences we all faces when someone leaves within an uncertainty of no return. The memories that are left behind are just as painful as saying goodbye, but eventually we all have to. The cinematography in the film shows a return of what the industry use to consider as “Fantastic B Rated/ Independent Film” .
Synopsis: A missing woman. A troubled man. A dark wood full of mystery. What moves among the trees? What secrets lie buried? And what comes creeping in the dead of night?
If one cannot take two minutes of their busy lifestyle to laugh then they probably are wasting their time reading this. This short film consists of everything that should be added to a smartphone short film. We love it. This is what one would call: “Utilizing your skillset when you are stuck in confinement!”
Of creative mind and restless spirit, always in search of the next film challenge, Jaime Fidalgo is a writer-director born in Madrid, Spain, but raised in Guadalajara, Mexico, where he spent his childhood and discovered his passion for movie making. Trained at the New York Film Academy in filmmaking and specialized in screenwriting at the Vancouver Film School, he has written and directed eight music videos and fourteen short films that have been screened around the world, with a positive route in the most varied film festivals in which more than 400 official selections and 40 awards are added.
The thing of it is, we were either stranded or chose to remain where we were at the start of the Covid19- pandemic. Either way, we all had travel restrictions and this was quite unusual for those involved in this in-house panel discussion. Especially during the spring as we normally prepare for our summer travel jaunts.
Philip Ailon was in Athens, Greece complaining that there was thus far no tourist for the upcoming season. James E. Lane was in Fort Pierce, Florida, dealing with not only the preparation of the pandemic but the indescribable atmosphere in America. I (Jerome Fitts), was in between Santo Domingo and Boca Chica missing my love ones in Europa. There were no flights and I was basically stranded in paradise. We were all moaning about the pandemic and how it had altered our normal routine and plans.
I went to my hotel balcony speaking to James and noticed three kids the first hour or so, then maybe ten kids congregating in the rubbish below. My first thought was; “You have to be kidding me?” I proceeded to tell James this, as he barely made it out some 5 days prior and he laughed. Then I laughed. Philp in another message laughed. The mutual laughter came with a shared message of “maybe they are looking for a mask?”
Soon afterwards, I picked up both the companies cameras Sony Raw and Nikon 70D and started filming. After we reviewed the film, there certainly wasn’t any laughter, but a dead silence of embarrassment between all of us. All of a sudden our biggest problems didn’t exist. We knew that our worst days could quite possibly be these kids finer days.
“How Could You” was born. This isn’t a laughing matter. These kids live in this rubbish bin. This isn’t about race, religion and especially politics of who can tell their story first. This reality and is their reality.
The point of this film is: How could we complain when we know someone has it worse than we do? The characters of this film do not complain. They are making the best of what they have and are grateful for their existence on a daily bases. Are we? Maybe they are better humans than we are.
So before you go and post a complaint or ask for “prayers up” then stare into that mirror while taking a photo of yourself pleading for others to like and share- then complain when you recieve rude responses- think of these kids that are at our door steps.
Time is the one thing most of us take for granted, even though it is the one thing we possess that is limited and finite. As a dear friend of mine says, “We all have the same 24 hours!” and in my opinion it is the absolute truth! However, with that being said, my thinking of late takes it one step further – “we all don’t have the same amount of sand in the hourglass.”
No one knows how many grains of sand anyone has been blessed with. God Almighty makes this a mystery to man, for all our perceived wisdom and intelligence, no one can know this answer!
“How do we spend this most precious and valuable commodity? With what or whom do we share it with?
Obviously this is a unique question that every individual must decide for themselves. No two answers, in my opinion, would be the same – nor should they. It is something that I have noticed from my journey through life which has been change with time. Many things have made me reevaluate the way I think about time. Marriage, death, my children, my faith and friends are all things that have forced me to examine myself.
Lets face it, within our societies we forget to step back, slow down and think prior to proceeding. Do we ask ourselves if somethings we force our time with causes us to try to extend those twenty-four hours in which we all have? Is it really that important that we cramp certain things within that time frame that makes us forget what is really important and time we cannot get back? What is the point if we miss what is important to us such as time with love ones that we can not replace in the future? We all try to make up the time but in reality its not the same.
I have watched friends, family and colleagues leave this earth far too young. But who am I to say this? Am I God? Certainly not! It is He that holds the hourglass and only He that knows the amount of sand within. In my youth I spent majority of my time chasing other people’s dreams. Things that were laid out before me like a golden road. Following the footsteps of generations before me, it seemed like the obvious and correct path to take. Of course I can only look back and evaluate the past. I cannot change it, but I can learn from it.
I have often wondered, as many have likely done, if I spent my time differently would I or could I have changed anything? Perhaps, but probably not much, because that time spent helped shaped us into the person we are today.
The objective of this piece: WE have to choose how to use the remaining sands of “OUR” hourglass.
Take time for a peaceful walk through the woods or park. Stop and listen to the birds sing. Sit with your family and turn off your phone! Have an ice cream or nice meal them and fellowship! Have a discussion with someone you care about and ask them how they are doing as a human. Actually listen! Tell the people in your life how much you love them, if you do. Because guess what – your last grain of sand could pass before you speak with them again.
Spend the precious commodity of time with the right people, but still reserve some for a stranger you meet at a shop for a short chat.
I hope sharing my insight and opinion will be helpful to maybe begin that process in someone that reads this. Like it or not, time is not a commodity we can hoard in a bank or should be taken for granted as if we are allowed credit. We are forced to spend it as “Father Time” is undefeated. So spend it joyfully and live well!
There is no such thing called a “new comer director” in film-making. Once certain directors hit a peak of being reputable all of us seem to jump on the bandwagon and the step by step films prior to the big hits are often over looked. Gaslightening seems to be one of those perfect examples. You either have the vision and display that vision at your own pace or wait till you find exactly what you want the world to view through your lens when your ready. In this indie short film, scriptwriter and directorTina Mazat of Qbit Films seems to have waited till the perfect time to do exactly that.
This film is about tolerance and a deliverance to those that think the aforementioned has an unlimited amount of it. The film was shot in Berlin where the director is challenging the viewership as well as giving the world an update to the city. One of those examples is; if you are not familiar with a certain part of the city then you wouldn’t know its Berlin. Our first reaction was: “Thank God, its not another film shot in the overly saturated new Berliners section of Kreuzberg!”
The other has to be selection ofLara Marian and NilsBauer as the key cast, who both do an exceptional job acting in English. As some would say; “the proofs in the pudding” because it was definitely done in the new Berlin where coming across anyone that speaks German is quite hard.
The film is impressive yet bland based on the objectives of the short while being complimented with near perfect cinematography.
In contrast to what the description of the film has been listed as, the ending isn’t much of a surprise. However, one has to wonder if it is was either too harsh or did Matzat leave room for a part two. Can you, the reader, imagine a part two of a short film? We can..
“Nice and thought provocative short flick!” -WorthJourney
For the life of me I don’t know why indie film festival award winning director Roberto I. Ercolalo started this relevant piece in Spanish without subtitles. According to the films advertisement, the following film has been selected to numerous festivals. Its your call as well as evaluate some of those festivals selection committee members. *Just saying!
Within the first 45 seconds of the short film Job Life, the director has his point across. This nineteen and thirty-six second black and white short describes how certain individuals within the Argentinian work force live to work as the burden of their job cements their oppression.
To appreciate the work of Mr. Ercolalo one would have to watch the film more than once while applauding the soundtrack composers Tomás Alegre and Victoria Korenblit which may be the beckoning for such a second glance. Unfortunately both carry the film as oppose to the message that the director is attempting to convey.
Could his message be; “Some people has little to no choices with their career or is it in Argentina there are little to no opportunities once you start a career?”-
The drainy deposition of the film is one that some of us movie goers have when we are recovering from the fear of a brilliant weekend on a rainy Sunday while preparing to go to work the next morning. If you are looking for an uplifting film then you may want to check the next dial. However if you want something that would make you appreciate the life you have while re-assessing your current career status then this is one for you.
Within the film overview, Ercolalo is quoted: “There is a message in the film.”We were looking for something that wasn’t so obvious.
By no means are we announcing an ill-rating for the film but we do think that Job Life will be appreciated more in the future once we are blessed with more work from Roberto I. Ercolalo.
Does anyone remember a time when we could meet someone in a park after a night out and discuss a mutual problem? The short film “A Night With A Stranger” by independent filmmaker and director UladzimirTaukachou submitted to us via Cacique Film Awards was filmed in an unusual social scene, (a park in New York City). The indie filmmaker has made a short that touches certain embarrassing attributes that most Americans have. (* From our view!)
The 5 criteria based questions of a short film such as; who, what, when, where and then how are covered. There are also topics that has become a norm for societies world-wide.
Who: Girl walks and sits in a New York City park and is approached by a stranger.
What: A discussion with a stranger as they both give a brief history of themselves as well as discuss the margins of their personal lives. (** Our questions are: “Is America this shallow?”, “Does it matter where someone comes from?”, “Has society forgotten to be nice to one another?” and worse “Why should this be a strange encounter?”)
When: Actress Titi Arewa, who is making her film debut, walks in a park after a regretful night, to come up with a solution for her most recent problem. The stranger Kim Palmer, played by Marty Novitsky, gives his resolution as well as compares his life to hers.
Where: New York City- very unusual, but that is the obvious point as strangers seldom speak to one another let alone vent their problems in hope of a solution.
How: The thirteen and twenty second short was filmed on a DSLR camera with an indie budget and film crew of 3 people. Other than certain scenes with lighting challenges, UladzimirTaukachou has done a fair job of making the most of his limitations without making excuses. Here is validated proof that sometimes the best art is created with a set of limitations.
Its safe to say that we can all appreciate the efforts the director and cast has made. Paying close attention to the film you may find the more so often than not unfortunate descriptions, margins and perimeters of others unsocial-able misfortunes that disables one another to opening up to others. We get it and we hope you do to.
SAVE, is a near four minute short film with over 90 international Film Awards and 400 official selections to date. The must see short was submitted to us by the film counsel and judges from the Cacique Film Awards.
If there as a way were we could examine the mind of Director/Producer Ivan Sainz- Pardo there may be an antidote that counteracts and eliminate viruses while solving unpredictable human activity. Imagine that.
This film exemplifies the love, tenderness, selfishness and frustrations combined with a moment of madness on a normal day that resulted in an unfathomable regretful ending.
The lead character (Roland Von Kummant) responses based on his emotions that can happen on a normal day, also clarifies what all humans capable of. Perhaps Director Saniz-Pardo objective as part of a thought provoking film, is reminding the viewers that if certain virtues are not acknowledge to be controlled anything can happen.
“A relevant and absolutely brilliant short film.”– WJ