The roadtrip music lovers lyrics “I hope you can hear me, I am here if you need me” will stick out. After reviewing the starlets who happens be on the active Soundhub Label, (WJ) , just as yourselves will be eagerly awaiting for more. If anyone of you can remember a song that you don’t want to end, then this is it. The single which will inevitably be considered a film score anthem consistently delivers a tone that is never ending.
Here we are some two years later after the “Who Do Think They Are?” post and it seems that although the reaction was positive and there has been over 97K followers that read the article, the truth is, the submissions from DIY artist to the public and within the music industry has gotten worse.
Sure there are the renditions of tapes, CD’s and Vinyl along with the current trend of streaming that keeps the music industry machine going and this is great. However, the approach and the delivery of quality music is still lost in the mix bowl of talent or should we say self entitled talent.
We can blame the discovery of taking pictures in mirrors (selfies) as a perfect example of people who are looking at themselves in mirrors based on what their own delusions are. The facts are the same within the current state of music delivery and some of these artist are delusional. There are some amazing music out there and good music still sells while a great song will live forever. The 7.5 billion census question is:
“Where is it?”
These days you can’t create a social media page or troll your own social media site, most notably Twitter or Facebook, without those selfie musicians demanding you to check out their music or video. But one has to wonder or ask several questions and among those important questions its always: “Whats next? Or even better “Why?” At some point most of the new age artist or selfie artist are demanding you check out their material as if its going to bring them fame. In this day and age where our beloved YouTube has replaced television or music video channels, anyone can buy impressions or views for the videos they upload. If there are a million and one likes or views are we suppose to follow a trend based on the number of views or does this mean that because there are a certain number of views then its quality or like-able material.
First and foremost, if its already out there then someone will “check it out” even if its yourself. Yes that is right, you can pay someone to “get likes” after posting some of the music then celebrate as if you are a star. Imagine someone desperate enough to pay for likes or followers that leave no comments or invite you to play live in their city. Maybe there should be an additional option for the public to choose from based on the statistics that are also displayed such as geographical and demographic analytical views. Then again this would shatter the glass mirror so maybe its better to leave it smoking to fulfill those delusions. Need we say more?
According to Webster Dictionary: The definition of desperate is: (of a person) having a great need or desire for something.In reference to this piece its about demanding likes or followers. Hilarious or not it is without question a cruel reality.
Remember the days when we would sing in the mirror and pose as if you were Paul Stanley from KISS or Madonna then tell your friends or family to come and see. Well its the same isn’t it? In modern times the translation of “check this out” would mean “hey look at me, I think I am sexy or I can sing so follow me!” Funny right. Has anyone wrote an honest and constructive comment on those posts? Was your comment deleted and your profile blocked only for the submitter of the post to destroy you in a response without you being in a position to defend your initial comment. The results is smoking mirrors or selfie music that makes up the body of smoking mirrors. It makes you wonder what independent music is these days if that is the case. One can also wonder why these artist are not asking the public what they think and accepting the response. It seems this would be the logical way of not only building a brand through genuine followers but its also a way to expand their sound. Are these artist are afraid to find out the truth? Is this a new genre being created within this selfish industry? Here we go: Cowards of Selfie Music.
Where did being creative and different go to?
Over the years there has been some exceptions to the growing trend in remarkable artist such as Lindsey Stirling, but we all have to agree that her formula, style and quality of material is above the norm. The result has seen the Los Angeles starlet sell out theaters and arenas around the world yet you wouldn’t find her playing live at an in-house popular music awards. Maybe the judges or panel of such awards are mechanical or machines as they are year after year selecting the same shite music such as Drake, Rihanna and some other copycat self proclaimed pimp or whore. The moral police of music have unfortunately succumbed to supporting the new genre of clown music. Charlie Chaplin and crew have to be in heaven going f**ks sake!
Here we go, the definition of courage in the Webster Dictionary is: Strength in the face of pain or grief. Bravery
In this case its about the artist pouring their heart and soul into their sound by mastering their craft to express themselves. The courageous part of it is, they are leaving it up to the recipient (listener) to chose for themselves.
Does it work? Sure these artist are putting their dreams into motion without feeling the public owes them something. They promote themselves just as much as the professionals does but the successful ones never go rogue. They sweat and win together and those standards are based on a delegated process within each sector of working behind the music. The formula is quite simple, everyone is on the same page.There is music out there that genuine labels and distributors believe in such as Proper Music Distribution that works with large and small booking agencies. The thing of it is that those reputable entities working relationship is based on the belief in the same artist genuine promotion.
For those that are reading this lengthy piece, try it out. When it comes to approaching PR companies, due your due diligence and ask what is the finish line. Have the courage to look past the name dropping some may use to secure your check but look deep into their strategy in regards to your music.
The positive side to hiring professionals, if you take yourself serious enough, you can learn from their mistakes as well as get better along the way.
For the artist that are reading this and will continue to partake in the DIY system, take a deep breath and don’t add to much water into the instant gratification process of your music. You will receive exactly what you put into your music and if you don’t require professionals to handle your music then the reality is you don’t need the public. So.. What is your objective? – Selfie Music. Have fun in your bedroom or kitchen performing to the smoking mirrors.
In closing, good food is like good music, we just eat it and it becomes our favorite food and its what you prefer. When the package or label of the food or music is presented right it looks and smells good and more than likely it will taste good. But if the package and label of the food or music looks cheap and smell like shite, then it probably is!
The world-wide Film Festival favorite THE EVE by director Luca Machnich is a thriller. Imagine having a family tragedy and meeting up with Santa Claus. An innocent imagination while longing to escape makes up a must see summer short horror film. As of May 2016, the film has won an astonishing 78 film festival awards.
Simon is an eight-year-old boy who seems to have everything from life. He’s a handsome child, he’s rich yet unhappy. He senses that there’s something wrong with his life and this leads him to wander off thanks to his fervid imagination. His greatest wish is to leave the materialistic world behind since he isn’t fond of it. That’s why the only present he wants for Christmas is for Santa Claus to take him away to live in his fairyland toy factory. At the same time, a secret that his family has been keeping for a long time suddenly comes to the surface and it is feared that the worst might happen soon. The expectation for the stroke of midnight on the night before Christmas is transformed into reality for everyone on the eve of something truly different. Something terrible that might happen.
To close Black History Month, I was asked why the majority of our readers this month were caucasion, instead of those who should celebrate the individuals who drew the blue print for “their opportunities and progression” in our world. – people of color.
Prior to taking the defensive stance, I had to succomb to the embarrassment of the truth. All of a sudden the relevancy of this weeks featured story became more relevant, we choose Harriet Tubman.
Her words; ” I freed a thousand slaves. I could have freed a thousand more if only they knew they were slaves.”- rang out to me.
The WorthJourneys’ blog is a blog based on facts in our attempt for our readers to engage in the information posted and gather more facts for themselves. If one find those facts educational, then please utilize the tools of our brave new world and share it. If by chance the aformention action does take place, then our joint efforts and objectives would have been met.
“The Woman They Call Moses”- Harriet Tubman.
Harriet Tubman, whose original name was Araminta Harriet Ross, was one of nine children born to Harriet “Rit” Green (mother) and Ben Ross (father). Because slaves were not recognized as civilians, historians have estimated Araminta (Harriet) birth was between 1820 and 1825. (ref.1)
In 1844, Arminta (Harriet), married a free slave by the name of John Tubman. To honor her mother, Araminta changed her name to Harriet while carrying the surname of her husband. Harriet and her husband were later seperated by her choice to live a life of being free. Harriet eventually escaped from slavery, while her husband decided to remain in the south.
Abolitionism and The Underground Railroad:
In 1849 Harriet, escaped from slavery fleeing to Philadelphia, using the “Underground Railroad”. (ref.2) Harriet – later returned to free up to her entire family.
The first series of trips is when Harriet, earned the nickname “Moses” for her courage and leadership. Those courageous voyages resulted in the Fugitive Slave Law.
The Fugitive Slave Law stated that escaped slaves in the North could be captured and returned to the south. This led to law enforcement officials in the North aiding slave capturers. – (Hint -12 Years a Slave).
During her courageous escapdes of freeing more slaves Ms. Tubman was qouted as saying;
“If you hear the dogs, keep going. If there is shouting after you, keep going. Dont ever stop! Keep going. If you want a taste of freedom, keep going.”- Harriet Tubman
Harriets response to this law, was to re-route “The Underground Railroad” to Canada – where slavery was prohibited.
During the Civil War, Harriet worked for the Union Army as a cook and a nurse. As the first woman to lead a combat expedition, Harriet was recognized as the leader in the Combahec River Raid.This event liberated more than 700 slaves in the South Carolina.
After the Civil War, Harriet re-married a Civil War veteran by the name of Nelson Davis. The couple, with their adopted daughter Gertie, resided in Auburn, New York.
Harriet, died of pneumonia in 1913, in the home that was named after her : “The Harriet Tubman Home for the Aged”
When Arthur George Gaston, was approaching his 100th birthday, he was dubbed “Entrepreneur of the Century”.(1)
A.G.Gaston business enterprises consisted of providing jobs and recourses to the Africa-American community before and after the Civil Rights movement. Those enterprises still exist in 2015 as well as the results of his efforts. A.G. Gaston ideas, concepts and influence has made a difference.
The opportunities Gaston created was in the heart of Dixie in the state of Alabama. Most notably the communities within the cities of Birmingham and Mobile. He was also a key figure in the civil rights movement.
A.G.Gaston was born on July 4th, 1892 in Demopolis, Alabama. Gaston, who was raised in a log cabin that his former slave grandparents built, began his entrepreneurship as a child. Gaston would charged the neighborhood children a button and pin to play on the swing in his yard. He would later sell the button and pens to local women for their sewing.(1)
In 1900, Gaston and his mother Rosie moved to Birmingham, because his mother was hired as a cook for the Lovemanns.
For his preliminary education Gaston, attended the Carrie Tuggle Institute, a boarding school which was ran by former slaves. Although Gaston left the school in the 10th grade because he could not afford the expenses of the boarding school. To make ends meet, he began selling subscriptions for the Birmingham Reporter.
The year 1910 saw Gaston enlist in the U.S. Army, which he served as a sergeant in an all black unit in France during World War I. After he left the Army in 1918, he worked briefly as laborer at Tennessee Coal and Iron Company. While working there and with the help of his mother, he sold lunch boxes to fellow coworkers for an extra income. It should be noted that he also loaned his coworkers money and charged them 25 cents on each dollar loaned.
In 1923, most blacks in the south did not have an option of burying relatives and love ones in traditional funeral homes because of cost or segregation. It was then he started “Brother Gaston’s Burial Society”.
Gaston’s policy, was to provide a respectful burial for those who perished in the African-America community.The policy that exist today was; the customers paid a regular fee in exchange for the security of a burial paid for when their love ones perished.
In 1932, the aforementioned business was incorporated as Booker T Washington Insurance. This was the foundation for many other businesses that prospered. One of those businesses was Booker T Washington Business College, which was set up to train clerks for Gastons other businesses.
The Booker T Washington Business College was, at the time, the only school that African-American women could receive a certificate for business training.
During this time he also suffered a business failure in Brown Belle Bottling Company. A.G.Gaston was quoted in 1986 by saying that: “The bottling company failed due the fact that this venture was formed to make money, where as the other ventures was created to serve the people.”
A.G.Gaston Motel was founded to serve black travelers when they were not allowed to stay in white hotels. The motel, which is today recognized as a historical site, was the headquarters for the SCLC (Southern Christrian Leadership Conference). The motel was also known for accommodating Civil Rights Leaders and in some cases served as a safe haven.
When Martin Luther King was arressted in Birmingham, Alabama during the Civil Rights Movement it was A.G Gaston who posted the $150,000 bail from his personal finances.
1955- Vulcan Reality and Investment Corporation
1957- Citizen Federal Savings and Loans Association
1963- A.G.Gaston Home for Senior Citizens
1966- A.G.Gaston Boys and Girls Club– (It should be noted that the author of this post was a member of A.G. Gaston Boys Club).
1975- WENN-FM and WAGG-AM
1986- A.G.Gaston’s Construction Company
All of Gaston enterprises gave their employees stock options. The majority of his businesses was created to give the community (mostly black) an opportunity or something they needed.
“Becoming rich was accidental because my main objective was to serve the community”-Gaston said in 1992.” (4)
On January 19th, 1996 Arthur George Gaston died. He was 103 years old and still working. He is survived by great grandchildren and grandchildren who is now continuing his legacy of sharing and making the community of Birmingham, Alabama better.
Arthur George Gaston is without question the “Entrepreneur of the Century”.
This week we are celebrating the life of The Father of Rock and Roll. The recognition of Johnnie Johnson during Black History Month, should be appreciated and applauded by everyone.
Johnny was born on June 8, 1924 in Fairmont, Virginia but for the majority of his celebrated life he resided with wife Francis, in St. Louis, Missouri.
Johnnie Be Good:
For nearly 30 years, Johnnie was the keyboardist for legendary guitar player Chuck Berry. However the song that is considered the original rock anthem “Johnny Be Good” was written by Chuck Berry as a tribute to Johnnie.
The song has been covered by thousands of bands from around the world as well as being highlighted in the movie Back To The Future. The musicians that have covered the song has ranged from modern day pop singers to heavy metal legendaries such as Judas Priest.
In 2003, after a series of shows in Munich, Germany, I asked Mr. Johnson to explain Johnnie Be Good.
“I had served in the second World War and had returned to Detroit then on to St. Louis, which is where I met Chuck. I hired him one night because I was short a musician and that’s when our (Chuck and Johnnie) history started.”
“Chuck and I worked on other material together, but Johnny B Goode was a tribute to myself. Chuck wrote that one about me.”- Johnnie said.
Mr. Johnson, fellow Blues and Rock originators, from Keith Richard (Rolling Stones), Eric Clapton to George Harrison (Beatles), have gone on record to acknowledge that their inspirations came from Johnnie.
To question whether or not if Johnnie received his full recognition from the music world, would be irresponsible from the music industry.
However in 2001, Johnny was inducted into The Rock and Roll Hall of Fame.
There is could never be enough recognition or accolades for the song that changed the music industry-“Johnny Be Good”. The legitimate argument would have to be directed at what has transpired within the music industry since.
Adversity Turned To Triumph:
Johnnie who faced adversity for several years during the 1970s due to neglect, recognition and LACK OF ROYALTIES from previous work, resurged in 1986. It wasn’t until Keith Richards amongst many other notable Rock Hall of Famers, guided their hero back into the main stage. Ironically enough that resurrection from retirement was in the Chuck Berry concert film Hail! Hail! Rock ‘n’ Roll of that year.
Throughout the 1990s and early millennium, Johnnie enjoyed a successful series of solo records as well as constantly being in demand as a live act.
Johnnie Johnson died on April 13, 2005, a mere eight days after performing at the NCAA Final Four in St. Louis, Missouri. The Father of Rock and Roll, was 80 years old.
Johnnie Johnson we salute you.
1987: Blue Hand Johnnie.
1991: Johnnie B. Bad (Warner) with Eric Clapton, Keith Richards, and Bernard Fowler 1991: Rockin’ Eighty-Eights (Modern Blues recordings) with Jimmie Vaughan and Clayton Love 1993: Blue Hand Johnnie (Evidence Music) with Oliver Sain 1993: That’ll Work (Elektra) with The Kentucky Headhunters and Jimmy Hall 1995: Johnnie Be Back (MusicMasters) with Buddy Guy, Al Kooper, John Sebastian and Max Weinberg 1997: Johnnie B. Live (Father of Rock and Roll Music) with Jimmy Vivino and Al Kooper 1999: Father of Rock and Roll (Father of Rock and Roll Music) – Accompanying CD with the book Father of Rock and Roll: The Story of Johnnie B. Goode Johnson, featuring all new recordings of Johnson and Berry songs. 2005: Johnnie Be Eighty And Still Bad! (Cousin Moe Music) with Jeff Alexander, Rich McDonough (guitar), Larry Thurston, Gus Thornton, and Joe Pastor (drums).
To celebrate Black History Month, we, (WJ), are honored to feature individuals who are people of color, that set examples and standards for our society today. On February 4th, 2015 we are celebrating the life of Hans Massaquoi.
Hans Jurgen Massaquoi was born on January 19, 1926, in Hamburg, Germany and passed away on his birthday in 2013. He was the son of Al-Haj Massaquoi, an African business man from Liberia and Bertha Baetz, a German nurse.
His father (Al-Haj), who was the son of a Liberian consul general, left Germany because of the rise of the Nazi regime.
Unlike other German women at the time who were giving their “Brown Babies” up for adoption, his mother Bertha, decided to raise Hans in Germany alone instead of joining Hans father in Liberia.(2)
In his autobiography Hans mentions being taunted on a daily bases in regards to his colour stating his classmates would say ; “Neger, Neger, Schornsteinfeger!” (*Schornsteinfeger means chimney sweep in English)-Ed
It is highlighted in “In Destined to Witness”, that when Hitler and the Nazi Party came to power in 1933 he was fascinated by the uniforms, “goose-stepping” marches and the military might of the Nazi soldiers. Massaquoi recalled the first time Hitler’s motorcade came to Hamburg, and the thrill that he experienced watching the new “Führer” roll past.(1)
“Like everyone around me, I cheered the man whose every waking hour was dedicated to the destruction of ‘inferior non-Aryan people’ like myself.”- Massaqoui
As a 7-year-old boy in Hamburg, Massaquoi noted that his proudest moment was when a baby sitter sewed a swastika on his sweater. He also stated that the disappointment he had because a teacher told him he couldn’t join Hitlers Youth.
“Of course I wanted to join. I was a kid and most of my friends were joining. They had cool uniforms and they did exciting things – camping, parades, playing drums,”- wrote Massaquoi.
During his teenage years Massaqoui and his mother lived in fear because of the Nazi elimination of all non Aryans. He mentions that although he was not deported himself, he credited this to being black. He felt because he was black he was more of a rarity than a threat.
“Unlike Jews, blacks were so few in numbers that they were relegated to low-priority status in the Nazis’ line-up for extermination,” Massaquoi said.
When Massaquoi’s mother lost her job because she had a black son, he boxed as well as played saxophone in a “Swing Jazzband” to support himself and his mother. It should be noted that at the time and yet still today (February 2015), Swing and Jazz music as well as any type of Urban Music is considered “Black Music” in Germany. Massaquoi, who dreamed of immigrating to America as he followed the careers of African American sports heroes Joe Louis and Jesse Owens, boxed to earn extra money but was forbidden by law to take on Aryan opponents in the ring.(1)
He also revealed the kindnesses of German neighbors and friends who helped him and his mother survive during these difficult months. At one point, Massaquoi even attempted to join the Germany Army after recognizing that he was the only young man left in his neighborhood who did not wear a uniform. “This Lieutenant Colonel bawled me out saying how dare I even presume to ask. So that did it for me. That was the real turning point. By then, I had got all the Nazi stuff out of my head, and it was the final insult.”- Massaquoi recounted.
In 1948, Massaquoi left Germany for Liberia and lived with his father. However, he became dissatisfied with the black-on-black racism and applied and received a student visa for America.
While attending aviation mechanics school in Chicago, he received a draft notice to fight in the Korean War, despite having alien status. Massaquoi was stationed in the deep south of America ironically enough during the start of the Civil Rights movements.
After the Korean War, in which he was never deployed to fight in combat, he returned to Chicago to resume his studies. Massaquoi began working at Ebony Magazine in 1957 in as an associate editor. By 1967, ten years after working at the prestigious publication, Massaquoi was awarded the Managing Editors position. He held this position for another 30 years until his retirement in 1967.
Encouraged by the late Alex Haley (Roots), he penned the remarkable “adversity turned triumphed”, autobiography “Destined To Witness; Growing Up Black in Nazi Germany.” (3)
Qouting Hans Massaqoui Jr in loving memory of his late father; “Hans Massaquoi lived to become not just a footnote in history, but a figure of note.” (4)
Hans Massaqoui, The WorthJourney not only celebrate your remarkable life, but we thank you for setting the example of creating and accomplishing your dreams.- J.Fitts
We encourage all of our readers to not only buy the book but read it!
Career: Played saxophone in jazz clubs in Hamburg, mid-1940s; British Military Government, Hamburg, Germany, interpreter, 1945-48; National Association of Educational Broadcasters, Urbana, IL, editor, 1956-57; Jet Magazine, Chicago, IL., associate editor, 1957-58; Ebony Magazine, Chicago, associate editor, 1958-64, assistant managing editor, 1964-67, managing editor, 1967-.
Awards: Overseas Press Club of America citation, 1975, for coverage of Heads of Government Conference in Kingston, Jamaica.
To launch our ¨Event¨ page in February 2015, we realised it was a necessity and responsible to start with celebrating Black History Month!
We are all aware of this historical month and we are proud to display the progress the world has made in regards to acknowledging those who sacrificed their lives for a better world.
However, we do feel responsible to also feature and highlight the inspirational stories from todays African communities.
We have decided to give our loyal readers a chance to honor and also acknowledge some of the individuals that were not recognized in the past. We are encouraging our readers to submit information and inspirational stories to our digital platforms. That information, which require to be supported facts, will be open for discussions and responses from the public via our digital platform(s).
We are honored to have those digital panel discussions hosted by celebrated author, Tim Rice.
Mr. Tim Rice highly regarded book: The Missing Link
Available here: http://www.amazon.com/The-Missing-Link-Simple-Living/dp/0990623408
In January 2015, the stories published on racism in futbol has become boring. This piece is in regards to the lack of efforts from those who are involved in the current status of racism in Futbol. It is becoming apparent that the efforts of “Zero Tolerance to Racism” isn’t working. We have to ask ourselves; “Is there a better way of dealing with the problem that is protecting the officials that can control the problem?”
If Gordon Taylor, the president of the Professional Futbol Association in England, has acknowledged the problem, then why haven’t there been more pressure on the sponsors to extend their “(CSR)-Corporate Social Responsibilities”? There have been advertisements during major matches but a limited and controlled amount of responses from the coaches and players
Compared to 25 years ago, the sport of Futbol is led by the media which is financed by advertisements.
In the English Premiership, where shared media dominates the global networks, there is minimal coverage on racism in sports. The public knows it’s there, the organizations have always known, and finally, the players within their boundaries are acknowledging it. The difference in today’s game is the effect it has on corporate finance.
The business trading secrets of the game is becoming more restricted yet racism has become more exposed via the new age media platforms. The multi-billion-dollar question is: What are the Corporate Social Responsibilities of the sponsors?
Black Managers in Futbol:
It is a well-known fact that there are no Black Managers in top Futbol Leagues. The major clubs are displaying a lack of confidence in hiring black managers. The hiring of black managers at a prestigious club could mark a change in the opinions of the fans and supports of the club. Futbol is a tradition in the European society which is led by community influences and the aforementioned could be a historical landmark in the sport. Perhaps the advertisement banners from the head of the clubs could display “Change is what’s needed”, or “Trust in our decisions”.
FIFA nor the top leagues are making it mandatory for the clubs to interview potential black managers. The published stories of comparing the Rooney Rule, which exists in American football is irrelevant. However, comparing the American Sports system to the rest of the world is not only irresponsible but delusional. The monetary value and sports marketing concepts have become similar, but the ethics within the E.U. are complete.
FIFA Commitment And Activation:
FIFA creates campaigns to fight against spectator racism. They have sponsors and rely on the cooperation of the sponsors. Without giving to much attention to what more FIFA could do, those campaigns are making little difference. There has to be more pressure on league officials and the futbol clubs.
CSR (Corporate Social Responsibilities)
The sponsors, which employs all nationalities in their global offices, have little to no choice but to act on the race issue. Sports marketing is entering a new frontier and finance garnered through the sport is measured in billions.
How would Lebron James, who happens to be a minority shareholder in Liverpool FC, react to his fellow brothers being called monkeys during the matches? Surely there has been some information transmitted during the due diligence of the currency exchange. Was the due diligence process based around ignoring race issues in order for Mr James to disburse a check?
Appointing Black futbol ambassadors would be ideal if there was an effort to build race relations from the governing bodies of futbol.
All of the players, who are contracted to play the game as employees are aware of the racism. However, their reactions have limits because the contracts signed does not stipulate unconditional tolerance of spectators reactions or opinions.
The reaction to spectator discrimination is left up to the club officials who are predominantly white. The reality is racial comments have been made for years. The difference today is, those comments are exposed because of the new age media platforms.
It’s hilarious that all sports are dominated by people of colour but tackling spectator racism in sports is a mediocre priority. Why are we tolerating it? Does the money earned soothes the wounds or strengthens the blinds?
The most avoided question is; “Do they care?”
The European Union
“Is racism in sports exempt from the moral responsibilities of the European Union?”
The lack of inability from the governing body of Futbol to control racism in the sport is clear. Because of those inabilities, the E.U. has increased interest in imposing measures to protect the human rights of the players.
The Article 13 Treaty of Amsterdam, which protects civilians from racial discrimination throughout Europe was suggested, however it has little to no influence over spectators discrimination. Ironically enough the spectators who hurl the abuse are the supporters of the clubs without whom, the clubs would not exist.
To conclude the efforts thus far are duly noted, but those efforts do not represent the results.